Delirious New York: A Retroactive Manifesto for Manhattan

This publication is a perfect starting point for any exploration into the past or the future of urbanism, architecture, and of course New York City and the people who helped to shape this ever growing marvel.

A must read, and a perfect gift for anyone who is even remotely touched by New York.


the culture of congestion   December 23, 2002
S. Nardi (New York, NY United States)
10 out of 12 found this review helpful

This is by far Koolhaas's most accessible work, as it is rooted so clearly in detail from the city's past. Further, the book is simply brilliant. His take on urban history is to Jane Jacobs what Socrates is to common sense. New York is a special case of modernism that sprang from a special constellation of poltiical and technological forces that collectively create a cultural "big-bang" at the turn of the century. Read it. Blow your mind.


Brilliant despite some annoyances   April 30, 2008
Sub-Kontinental (St. Louis, MO)
5 out of 6 found this review helpful

While "Delirious" has its fair share of archispeak, Mr. Koolhaas pulls off an intelligent, fun and thought-provoking take on the early 20th century building culture of New York.

One of the quirkier (and frankly, awesome/bravadoish) aspects of "Delirious" is Mr. Koolhaas's analysis of Coney Island: an "incubator for Manhattan's incipient themes." As a reader, one initially questions the inclusion of such a trashy place in such a lofty manifesto. However, as the chapter progresses, you start to see Mr. Koolhaas's iconoclastic brilliance. He pays an amazing homage to "the laboratory" that was Coney Island, illuminating the vital role it played in the building philosophies that would emerge later in Manhattan.

Scattered throughout "Delirious," also, are compelling supporting images that Mr. Koolhaas clearly spent a lot of time digging up. In fact, flipping through the book for the images alone makes for a near-equivalent, and fun, learning experience.

However, unlike his tasteful use of images, Mr. Koolhaaas's flamboyant use of scholarly English makes his writing difficult to digest at times:

"It is probably inevitable that a doctrine based on the continual simulation of pragmatism, on a self-imposed amnesia that allows the continuous reenactment of the same subconscious themes in ever new reincarnations and on inarticulateness systematically cultivated in order to operate more effectively..."

Given Mr. Koolhaas's journalism background (and assumed mastery of writing), I suspect he made the conscious decision to remain somewhat inaccessible to preserve his "lofty" image. While such a decision may be understandable, his brilliance as a writer often gets overshadowed by the sheer irritation of trying to understand him.

Ultimately, "Delirious" proves itself to be a very intelligent synopsis---just as delirious and congested the themes Mr. Koolhaas puts forth. For the most part, it's a pleasure to read, and it also reflects the exhaustive research on Mr. Koolhaas's end. Much like Mr. Koolhaas's buildings, "Delirious" is on the cusp of being as grand as it intends to be.


best koolhaas ever, man   January 29, 2004
Alexander Bohn (providence ri)
5 out of 7 found this review helpful

koolhaas is a bit over-the-top for me, but this I think is is best work. it's worth checking out if only for the story of coney island. once you get past blisteringly pretentious phrases like "coney island is a fetal manhattan", you'll find it gloriously entertaining as both a narrative and theoretical work.